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And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom. Anais Nin
About Me
- Blue Fairy
- Perdutto e tutto il tempo, che in amor no si spende. Or something like that.
6 comments:
...and goodness, haven't you become the prolific blogger? i go away for a few days, and whoosh!
wherewereyouwherewereyouwherewereyou?
working set dressing... sigh. i've been spoiled by props. set dressing sucks.
not much glory in it.but less hours no? do you often work with the same poeple? there's so many jobs posted all the time out there on mandy's. i often wonder what it's like. don't have the nerve to go find out. since the crew divided here i am an outsider from the rival clan. feel like a dinosaur. can't move myself to do anything about it. last job people were so raunchy and disorganised and all i could do was suck it up. if i go back, it's for more of the same. incestuous mafia. no work for the sake of the project anymore, all egos.and nationalism. i dunno. maybe i should try anyway. get so cold between long waits. stopstartstop start...no momentum= n confidence. whine whine whine. my ex-man was grilling me on it last night. sorry. i miss the good old days when work was tough but mind-fuck free. what can ya do...
sound like i'm fucking 82 years old.
lol, 82.
yes, the hours in set dressing are better, but set decorators are so fucking unqualified to run crews i'm really having a hard time dealing with them at all.
besides, working the company offers a much better feeling of being a part of it all (and a chance to take great photos, too)...
gonna start an on-set dresser gig on wednesday (this pilot ends on friday) ... it's a compromise -- the decorator still thinks you work for her (and you don't -- the on-set is there first for the camera and second for the prop master), but at least you're part of the company... and each on-set gig means a new prop master contact.
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